litvasup.blogg.se

1. #Magic bullet denoiser iii dust scratches skin#
2. #Magic bullet denoiser iii dust scratches full#
3. #Magic bullet denoiser iii dust scratches pro#
4. #Magic bullet denoiser iii dust scratches software#
5. #Magic bullet denoiser iii dust scratches iso#

Essentially, what Augmented Reality does in real time, they have now enabled in post-production.ĭenoiser III can process just about any type of footage you could imagine, be it old stock footage, video from a cell phone, film, or digital video. By incorporating computer vision technology into Denoiser III, they are taking the visual complexity of the world and reducing it to an interactive synthetic reality.

With their denoising technology, they are teaching the machine to see noise and replace it with what would be seen in the real world. Magic Bullet Denoiser III was rewritten entirely from scratch, and is powered by cutting-edge computer vision technology from wrnch, which enables the tool to manipulate pixels and replace noise with what should really be seen in the shot. Less is more is definitely the way to go here. Like anything, you need to use restraint – if you add too much your footage will start to look horrible.

#Magic bullet denoiser iii dust scratches software#

I tried using the software on various other footage from a variety of cameras and I got pretty good results. Adding Denoiser III to footage that was shot at higher ISOs can really make your low light vision stand out and give it a much cleaner look without losing much sharpness. With constantly changing lighting conditions you can see that while Denoiser III does a pretty good job, it struggles a bit with the changing light and colour on the man’s jacket.ĭenoiser III uses your computers GPU, and on my late 2012 iMac it still takes quite some time to render, but on a faster computer you should experience better results. This particular scene is a very difficult one for noise reduction software to work on.

#Magic bullet denoiser iii dust scratches iso#

If you do need to make adjustments there is a set of five simple sliders.Ībove you can see an example of Arri C-log footage (with a standard Rec.709 Lut applied) that was shot at 3200 ISO without any noise reduction, and then with the default settings applying Denoiser III. The biggest benefit of the program for the type of work I do is that it is really fast to use and the default settings usually work really well without having to make any adjustments.

I have tried several Denoiser programs in the past and I was really impressed with Denoiser III. While Colorista and Magic Bullet Looks may not be as powerful as DaVinci Resolve, a lot of shooters will find that they cover the majority of what they need to do. The Hue/Saturation adjustment is just one of the many tools I use frequently within Colorista. Grading a Log shot from a iPhone.Ĭolorista IV offers really nice controls and I find it a really great program to use to get colours just right. If I need to do grading rather than colour correction I find that Colorista IV and Magic Bullet Looks offer an easy to use interface. I don’t tend to do too much colour correction to my footage, and if I do, I normally rely on the inbuilt colour correction in FCPX or programs like Colour Finale Pro. Out of all the software contained within Magic Bullet Suite 13 I found that my favourites were Denoiser III and Magic Bullet Cosmo II. With DaVinci Resolve you need to round trip, unless of course you choose to edit within the program too. One of the nice things I like about Magic Bullet Suite 13, just like Colour Finale Pro, is that I don’t have to leave FCPX to use any of the features.

#Magic bullet denoiser iii dust scratches skin#

Magic Bullet Suite 13 certainly gives you a lot of very useable software and the ability to not only colour correct and colour grade, but also add noise reduction and do things like smooth out skin with Magic Bullet Cosmo.

#Magic bullet denoiser iii dust scratches full#

With a cost of $899 US for the full Magic Bullet Suite 13, it faces very stiff competition from programs like DaVinci Resolve and Color Finale Pro. Having not used Magic Bullet in quite some years I was interested to find out just how it stacked up against other colour grading software and plug-ins that are now available on the market.

#Magic bullet denoiser iii dust scratches pro#

This latest version of the software includes GPU acceleration and color correction with OpenCL support for real-time playback in Adobe Premiere Pro CC. Includes accurate, measured film grain and a foolproof vignette tool. Mix and match 22 negative stocks and 4 print stocks. Magic Bullet Film – Emulates the entire photochemical process for an authentic look.NEW – Renoiser – introducing the brand new grain engine that rebuilds footage with an incredibly authentic cinematic texture.Magic Bullet Cosmo II – features an improved skin smoothing algorithm to make talent really shine.Denoiser III – rewritten from scratch and now supported by powerful technology from wrnch, a Mark Cuban-backed computer vision technology startup.Magic Bullet Colorista IV – offers new guided color correction tool to speed up the post workflow while simultaneously educating editors.

Move forward 10 years and you have Magic Bullet Suite 13.